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      24 Jun 2011

      Why Do Men Put Their Penises Online?

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      Penis-online
      “To tweet or not to tweet?” – that should have been the question for former U.S. representative Anthony Weiner whose infamous social media snafu made him and his briefs-ensconced boner a household name synonymous with “moron.” Not only did Weiner’s foray into softcore porn (and subsequent revelations about “sexting” with numerous women) provide a wide berth for dick jokes and puns of every stripe (which he’s probably endured since grammar school on account of his name), it cost him his career in politics.

      The argument that what one does in one’s private life is should not be subject to public scrutiny went out the window when Weiner made his privates public by inadvertently posting them into his Twitter stream rather than as a direct message to 21-year-old Washington state woman.

      It begs the question, “Why do men put their penises online?” Respond to any ad on Craigslist and, as many can attest, one stands a one in five chance of receiving a poorly-lit jpeg of some dude’s cock. It’s a wonder that no one has started an amateur porn site called “Craig’s Dicks” comprised exclusively of prick pics culled from the personal ads juggernaut. Chatroulette, the video chat service that randomly pairs participants in two-way tet-a-tets is notorious as veritable museum of male masturbation.The site rapidly cycles through chat pairings with either user given the option to hit “next” and move on to another chat – usually within seconds. After cycling through eight live images of users in front of their web cams – Bingo! – a crotch shot at the ready.

      In the pantheon of paraphilias, exhibitionism is perhaps the most benign though clinicians describe it as “coercive” since it usually involves forcibly imposing one’s genitalia into another line of sight without their consent. The notion of an old-school trench coat-clad flasher is damn near quaint compared to the lone gunman taking aim at a webcam.

      Albeit, confronting an exhibitionist in the flesh is surely a harrowing experience, however, it does permit one the ability to express one’s revulsion, reciprocate with bodily harm or perhaps even flash back (any of which, may or may not be the offenders goal). The online penis parader, however, uses social media to broadcast their exhibitionism from the comfort of their own homes. It combines the privacy end-users of porn expect from direct delivery of content to their laptops (no more embarrassing visits to the “adult” section of the video store – hell, for that matter, no more video stores!) with the inversely proportionate ability to broadcast oneself freely, cheaply and nakedly to millions with relative anonymity and without retribution.

      This is perhaps one reason that everyone from media pundits to House minority leader Nancy Pelosi came down so, um, hard on Anthony’s weiner. It was if he received the aggregate slap back awaiting all the faceless exhibitionists lurking on the Internet. Consider his monkey spanked. To gauge the size of your "e-penis" click this humorous if NSFW link, which uses your Twitter handle to measure your size online.

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      21 Mar 2011

      Twitter the "Mayor" of the Middle East?

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      I'm just sophomoric enough to still enjoy a typo or two when it comes from in such a venerable a news organization as the New York Times. In a article exploring the 5th anniversary of the launch of Twitter, the Times substituted the word "mayor" for "major" when describing its role in the recent uprisings in Middle East. "Mayor," of course, is the distinction earned by players of Foursquare to recognize their provenance as a patron of a local business. Given that millions in the Middle East have "checked in" to Twitter in recent weeks, one might say that Twitter is indeed its Mayor, in the social networking meaning of the word. Maybe it will be rewarded a coupon for a free falafel or maybe a slice of fresh baked democracy...

      Media_httpdhowellcomi_cique

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      7 Mar 2010

      And the Tweet goes to…

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      Oscars & Twitter: A Cast of Thousands but only 140 Characters

      Media_httpdhowellcomw_qhavw
      Come February of every year, scads of entertainment journalists engage in a ritual peculiar to their beat. They apply for press credentials to cover the Academy of Motion Picture Arts and Sciences' annual Academy Awards. An awards ceremony for motion pictures presented on television epitomizes traditional media. If the gold statuette was wrapped in newspaper like a fish, perhaps the event could be even more quaintly 20th century. Despite its antiquarian trappings, this year Oscar is poised at the nexus of traditional and social media. In addition to the usual questions used to vet journos' credibility in the online credential application, a new query appears: "Tell us about how we can find you online—blogs, Twitter, Facebook, other social media platforms." Social media like Twitter have been a boon for journalists, and not merely for those upgrading their bylines to brand names. (The Pew Research Center's Project for Excellence in Journalism cited the "personal branding" of journalists online as a major trend in its State of the News Media Report for 2009.) Social media tools have also enabled journalists laboring under repressive regimes to bypass censors and transmit reportage to the world, if only at 140 characters at a time.
      Media_httpdhowellcomw_tpixt
      For some media critics, freedom of the press coupled with free blogging services have resulted in either a free-for-all or a free fall. Consider the so-called citizen journalists, whose training consists of little more than glossing the "Terms of Service" agreement on a video-sharing site and who routinely break stories via social media. In an era when an anonymously posted YouTube video depicting the death of 26-year-old Iranian activist can put those who produced it in the company of New York Times and New Yorker reporters when winning journalism's prestigious George Polk Award, the redefining of what a journalist is must be under way. In its own way, the Academy Communications Department, which dispenses Oscar credentials, has contributed to this process. In short, professional journalists are now expected to have a social media presence—just like the amateurs. ABC, which broadcast the Oscars this Sunday, has yet to reveal an official policy regarding tweeting at the Oscars, whether that be by journalists, attendees or even nominees (Up in the Air director Jason Reitman seems to be the only nominee with an active Twitter account). Rival network NBC, however, has had to contend with the social media factor head-on as some of its current XXI Olympic Winter Games broadcasts are released on taped delay; it is hopeless to prevent medal results from being tweeted to the world. There is, as yet, no such thing as a tweet-delay, though the Iranians are surely working on one. The International Olympic Committee speaks to this, in part, with its "IOC Blogging Guidelines for Persons Accredited at the XXI Olympic Winter Games, Vancouver 2010," a four-page document intended to police the social media habits of accredited attendees. "It is required that, when Accredited Persons at the Games post any Olympic Content, it be confined solely to their own personal Olympic-related experience," it states, suggesting that no news is good news, but writing of one's aspiration to appear on a box of Wheaties is acceptable. Moreover, "the IOC considers blogging, in accordance with these guidelines, as a legitimate form of personal expression and not as a form of journalism." Micro-blogging, fittingly, was addressed via tweet on the Olympics' official Twitter account where athletes were encouraged to share the thrill of victory and the agony of defeat: "Athletes go ahead and tweet, as long as it's about your personal experience at the games." As a live event, the Oscars have little fear of its winners being revealed prior to some celebrity saying, "The envelope, please." At worst, entertainment journalists will offer a deluge of online snark, which they will later recapitulate online, in print and wherever else news goes to die. If Oscar winners tweeted their acceptance speech à la "You like me, you really like me. #Oscar," that might warrant a re-tweet or two. But, alas, no.
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  • FMRL Blog

    Writer and producer at FMRL where we explore new ways of making media for fans and brands.

    Columns: Bohemian.com | SonomaNews.com

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