FMRL Blog

Exploring disruptive storytelling technology in theory and practice.

  • FMRL.com (Main Site)
  • FMRL: Pith, Marrow & Media, The True Story
  • Read DaedalusHowell.blog
    • 0
      30 Mar 2011

      Cut the Cord

      • Edit
      • Delete
      • Tags
      • Autopost
      “Cut the cord” has become the rallying cry for those interested in abandoning cable television in favor of streaming online video to their phones, tablets, desktops and – forsooth! – televisions. It’s an apt phrase, not merely for its echoes of severing the umbilical cord in the delivery room but for its metaphoric reach into that almond-shaped space in the Venn diagram between baptismal rebirth and outright renaissance. There are variations, of course. Google indicates that “cut the cable” is a fraternal twin. It also brings up a blogger who simply calls himself “John,” who launched Cut-the-Cable.com two years ago. John matter-of-factly identifies his online effort as “the anti-COMCAST blog and resource site” and admits to having a “chip on my shoulder” due to the layoff that affords him the free time to take on the “fat bastards,” which presumably no longer fits his budget. Though his posts are sporadic, they are typically vitriolic and directed at discrediting and defaming the cable giant. Among them is a relatively recent analysis of a Houston news site story headlined “Comcast Contractor Accused of Raping a Child,” replete with a mug shot. Whether or not John’s informative if pungent tirades are justified (and they are to anyone who has ever made a phone call to Comcast’s customer service), they’re a bellwether of sorts and he’s not alone. Crystal Collins, the discount doyenne behind TheThriftyMama.com, doesn’t cast cable providers as evildoers, she does provide a gleeful step-by-step guide to cutting the cable, which, depending on your cable consumption needs, she claims can save one upwards of $600 a year. Lifehacker.com also show how to slice and dice one’s media diet, with additional info on where to stream your favorite live television feed. With all this blogging and flogging of cable companies, cutting their core product might seem to be grassroots movement. However, one should keep in mind the fact that broadcast networks themselves have stoked much of the fervor by streaming their content directly to consumers via their respective websites, effectively sidestepping cable – their one-time rival turned overlord (adjust a pair of rabbit ears lately? Yeah, didn’t think so). Moreover, Hulu is a consortium of a several networks – NBC, itself owns over a 30 percent stake. This is ironic given the fact that Comcast now owns NBCUniversal (the merged version of the network and the studio). However, the Department of Justice mandated as part of Comcast’s acquisition, it “must relinquish its management rights in Hulu” lest it “interfere with the management of Hulu, and, in particular, the development of products that compete with Comcast’s video service.” Comcast isn’t crying since they dominate much of the broadband market (at least locally). To wit, the cable behemoth still profits by the umbilical link through which the data that is, say, Parks and Recreation, comes tumbling. In fact, it’s a completely vertically-integrated strategy.  The revolution is being televised on the Internet, brought to you by the very entity against which you’re in revolt. Sort of like cutting off cable’s nose to stream its face.
      • views
      • Tweet
    • 0
      25 Nov 2010

      Quote: Netflix' Open-source Alt-Distro Biz

      • Edit
      • Delete
      • Tags
      • Autopost
      Media_httpfmrlcomwpco_zfqhg
      With the launch of a streaming-only option, many Netflix subscribers (including this one) will no longer say "and now the envelope please." It's a red-letter day for online movie distribution without, um, the red letter. What will happen to the post-office once their largest consumer of first class postage goes completely digital? And for that matter, might the move affect broadband rates? Who cares? It took 10 years longer than expected but "convergence" is upon us that's to deft hacking of existing systems...
      from Netflix’s Move Onto the Web Stirs Rivalries “Netflix used an open-source network, the U.S. Postal Service, to launch an alternative distribution business without asking anyone for permission,” said Tim Wu, a Columbia University law professor and author of “The Master Switch: The Rise and Fall of Information Empires.” “Now they are using another open-source network, the Internet, to transform the business. It is much easier for Netflix to change, because they don’t have to undergo a kind of religious conversion like media companies will have to.” – New York Times
      It leads what to ponder what other open-source systems one might hack to create a disruptive (read: independent) means of media distribution. Let's get there before Netflix then create a bidding war between them and Google for our inevitable acquisition. I'll purchase a cool, crisp pint of ale (or it's digitally transferable equivalent) to the best idea to hit the comments.
      • views
      • Tweet
    • 0
      14 Oct 2010

      SNL "Tiny Hat" Thievery Denuded by OTM

      • Edit
      • Delete
      • Tags
      • Autopost
      Media_httpfmrlcomwpco_puqev
      Much head-scratching has occurred over s the alleged plagiarism of the "Tiny Hats" sketch originated by Tim & Eric Awesome Show, Great Job! and recently echoed on Saturday Night Live. According to On The Media, the big brain beneath the tiny hats, Tim Heidecker, can't sue since "comedy is a world where copyright law barely applies. Comedians don't copyright their jokes; instead, they rely on an informal system of intellectual property enforcement." OTM taps law professors Chris Sprigman and Dotan Oliar to explain... Hats off to them... (ugh, I had to do it). Exhibit A:
      • views
      • Tweet
    • 0
      4 Jun 2010

      Changes at KSRO beg the question: who killed the radio star?

      • Edit
      • Delete
      • Tags
      • Autopost
      Media_httpdhowellcomw_wiwge
      Radio is for the ruthless. At least that's how it seems when rewatching Empire of the Air, a documentary by Ken Burns (who else?), currently being reprised on PBS stations on the eve of its 20th anniversary. The film recounts the bitter patent battle between radio pioneers Edwin Armstrong, inventor of frequency modulation (better known as FM) and David Sarnoff, who envisioned a "radio music box scheme" and would later helm RCA and its network spawn NBC and ABC. A merciless crusader for AM, Sarnoff effectively shut Armstrong's rival invention out of the market for decades, eventually driving him to suicide. Now, it seems Armstrong's ghost continues to exact its revenge on AM—in this case, the 73-year-old landmark on the local dial, KSRO 1350-AM. The most conspicuous casualty is 37-year radio veteran Steve Jaxon, who until last week hosted the afternoon show The Drive for the Santa Rosa–based station. Just shy of his second year as the station's resident raconteur, Jaxon leveraged extensive relationships in the arts and politics to create a regional drive-time show that rivaled, at least in scope, that of his nationally broadcast colleagues. Jaxon's show was also the habitué of many local media professionals, including several Bohemian contributors, including this one. "Radio has lost its cachet in a lot of different ways lately. It's the old story that there are 'so many options,' from internet radio to whatever," said a circumspect Jaxon shortly after his dismissal by KSRO station manager Kent Bjugstad, who reportedly broke the news to Jaxon and two other staffers on May 24. It's likely the decision to cut Jaxon, however, was not made by local management but by their masters on the eastern seaboard, Maverick Media Holdings, a Westport, Conn.-based venture that owns KSRO and dozens of sister stations throughout the nation. Maverick Media could not be reached for comment, nor is it even possible to access its website, maverick-media.ws, which remains perpetually "under construction." It's ironic that a company 3,000 miles away and a couple blocks down Main Street from the Westport Williams-Sonoma could silence a voice that defined Sonoma County. Such is the nature of the modern media landscape, where "local" media is seldom locally owned. That said, a trend is emerging that is both counterintuitive and testament to the changing sound of radio, as independent voices are frequently pulled into the fray by large organizations that once shunned them. Broadcast behemoth Clear Channel Communications, for example, has been frequently assailed for the iron grip it keeps on its stations' play lists. Critics claim the micromanagement of the local airwaves has led to a homogeny in broadcast music. Others even describe this as corporate censorship. However, Clear Channel is also the operator of iHeartRadio.com, an online radio premise with over 750 niche stations that, according to Ad Age, reaches 22 million unique listeners a month, had an estimated $175 million in "digital revenue" in 2009, and regularly platforms new acts (albeit, sometimes in cahoots with record labels—is it true they can't hear you scream "Payola!" in cyberspace?). Likewise, artist-empowering businesses like CD Baby help musicians and would-be chat hosts and pundits mainline their product directly into the iTunes store, which boasts some 6 billion served. Though KSRO produced podcasts of The Drive and leveraged social media and other forms of online connectivity, Maverick Media as a whole doesn't seem to motivate a culture of innovation in the distribution and monetization of its product. Instead, it's held to a traditional broadcast model and has had to resort to old-school tactics to stay afloat—like cutting its staff. "For AM in a market this size, it's amazing that they stayed on the air for 73 years in some ways. The radio business is screwed right now," says Jaxon, who is currently fielding offers from other stations. "It's just consultants and owners that have to be cheaper everyday." Cheaper, of course, has its price. Consider Sarnoff's Law, named for the aforementioned corporate radio raider, who observed that the value of a broadcast entity is only proportional to the number of people tuning in. If your listeners number zero, your station is worthless. On KSRO, at least, they were listening to Steve Jaxon. Editor's Note: Jaxon was re-hired three weeks after publication.
      • views
      • Tweet
    • Search

    • Sites I Like

      • Future Journalism Project
    • Tags

      • Lab Blog
      • Boho
      • Cinemania
      • Publish or Perish
      • FAIL File
      • Gadgets & Gadflies
      • Daedalus Howell
      • Film Lab
      • Crowd-Cloud
      • google
      • ipad
      • (Un)Sung Music
      • Brand Camp
      • Killer Apps
      • amazon
      • ebook
      • Social Media Butterfly
      • apple
      • facebook
      • Docs
      • Shall we play a Game?
      • Video Killed the Radio Star
      • fail
      • Search Party
      • branded entertainment
      • kindle fire
      • music video
      • transmedia
      • twitter
      • Ben Huh
      • Dmitra Smith
      • Manifestos
      • New York Times
      • R&D
      • Rupert Murdoch
      • Siri
      • This Is Spinal Tap
      • Unsolicted Advice
      • With Your Host
      • adaptation
      • anonymous
      • comcast
      • ebooks
      • filmmaking
      • hal
      • iphone 4s
      • kindle
      • netflix
      • newspapers
      • online journalism
      • sonoma
      • star wars
      • static people
      • zombies
      • /b/
      • 1350 AM
      • 1950s
      • 1977
      • 2001
      • 4-koma
      • 4chan
      • AT&T
      • Alex Komarov
      • Andrew Gurland
      • Andy Cohen
      • Andy Warhol
      • Angels & Angles
      • Animation Station
      • Anthony WeinerAnthony Weiner
      • Apollo 18
      • Artists include Anthony Discenza
      • Ashley Bell
      • Battle Ship
      • Berkeley Books
      • Best Worst Movie
      • Birdemic
      • Black Eyed Peas
      • Blackwater
      • Blair Witch Project
      • Blog
      • Brian Goldner
      • Brian Miller
      • Buzzy Martin
      • CYC
      • Candy Land
      • Chase
      • Christian Right
      • Christopher Guest
      • Clear Channel
      • Comix
      • Computational Knowledge Summit
      • CreateSpace
      • Creative Commons
      • Culture Jammers
      • Cut the cord
      • Czech Replublic
      • DIY
      • Daniel Walker
      • Dave Watson
    • Archive

      • 2012 (2)
        • March (1)
        • February (1)
      • 2011 (25)
        • December (18)
        • November (3)
        • October (2)
        • June (2)
    • Obox Design
  • FMRL Blog

    Writer and producer at FMRL where we explore new ways of making media for fans and brands.

    Columns: Bohemian.com | SonomaNews.com

    My latest:
    "I Heart Sonoma: How to Live & Drink in Wine Country" available now at an eBookstore near you.

    1278 Views
  • Get Updates

    Subscribe via RSS
    TwitterLinkedIn